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½ÅÁ¦Ç° d1-seven DAC ÇÏÀÌ¿£µå dac¿Í roon Àü¿ë ¹ÂÁ÷¼­¹ö(º°µµ±¸¸Å) ½Ç¹ö»ö»ó Ãß°¡¿É¼Ç 19000À¯·Î dsd 350À¯·Î

 

[¸®ºä]¼ø¼ö¿Í ³¶¸¸ÀÇ µðÁöÅÐ - ÅäÅ»µ¦ D1 Seven DAC
ÄÚ³­ ÀÛ¼ºÀÏ : 2018. 07. 16 (17:57) | Á¶È¸ : 725

FULLRANGE REVIEW

¼ø¼ö¿Í ³¶¸¸ÀÇ µðÁöÅÐ

ÅäÅ»´ì D1 Seven DAC


R2R DAC ¸£³×»ó½º

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ÇÑÆí Ĩ¼Â ºÎºÐ¿¡¼­´Â ¾ÖÃÊ¿¡ ½Ì±Û ºñÆ® µ¨Å¸ ½Ã±×¸¶ Ĩ¼Â°ú ¸ÖƼºñÆ® R2R ·¡´õ DAC Áß µ¨Å¸ ½Ã±×¸¶ Ĩ¼ÂÀÌ ÁÖµµ±ÇÀ» Áã°Ô µÈ´Ù. µ¨Å¸ ½Ã±×¸¶ Ĩ¼ÂÀÌ ³ª¿Â ÀÌÈÄ ´õ ÀÌ»ó ä»ê¼ºÀ̳ª Ãâ·Â ¼º´É¿¡¼­ ¸ÖƼºñÆ® Ĩ¼ÂÀº »ó´ë°¡ µÉ ¼ö ¾ø¾ú´Ù. ¸Å¿ì ¸¹Àº ºÐ¾ß¿¡¼­ ¿ÀÁ÷ ¼º´É¸¸À» Áß½ÉÀ¸·Î ¹ßÀüÇÏÁö ¾ÊÁö¸¸ ƯÈ÷ Àΰ£ÀÇ Ã»°¨°ú °¨Á¤¿¡ È£¼ÒÇÏ´Â À½¾ÇÀ» ´Ù·ç´Â ¿Àµð¿À ºÐ¾ß´Â ±× ¸ð¼ø°úÀÇ ÅõÀïÀÌ ´õ¿í ½ÉÇß´Ù. ´õ ¶Ù¾î³­ ¼º´É°ú ä»ê¼º µî ´ëÁßÀûÀΠƯ¼º°ú ½Ç¿ë¼ºÀÌ Á¾Á¾ ÇÏÀÌ¿£µå ¿Àµð¿À ºÐ¾ß¿¡¼­´Â °ÅºÎµÈ´Ù. ¹Ù·Î À½¾Ç Àç»ýÀ̶ó´Â Ưº°ÇÑ ºÐ¾ß¸¦ ´Ù·ç±â ¶§¹®ÀÌ´Ù.


ÅäÅ» DAC

¡ã TotaldacÀÇ ¼³¸³ÀÚ, ¹ð»ó ºê¸®¾Ó(Vincent Brient)

ÇÁ¶û½ºÀÇ ÅäÅ»DACÀ» ¸¸µç ¹ð»ó ºê¸®¾Ó ¶ÇÇÑ ÀÌ·± ±âÁ¸ÀÇ °ü½ÀÀ» °ÅºÎÇÏ°í ÀÚ½ÅÀÌ ¸¸µé ¼ö ÀÖ´Â °¡Àå À½¾ÇÀûÀÎ Á¢±Ù¹ýÀ» ±â¹ÝÀ¸·Î ±â±â¸¦ ¼³°èÇß´Ù. ±×·¸´Ù°í ±×°¡ ¹ÂÁö¼ÇÀ̳ª ¶Ç´Â À½¾Ç¾ÖÈ£°¡ Ãâ½ÅÀ̶ó°í ¼²ºÒ¸® ¿¹»óÇÏÁö ¸»¶ó. ±×´Â ÇÁ¶û½º ¸í¹® °ø´ë¿¡¼­ °øºÎÇÑ ¼®ÇÐÀ̸ç ÇÁ·Î¿ëµµ ¾Æ´Ñ °¡Á¤¿ë DAC ÂëÀº Çлý½ÃÀý¿¡µµ ¸¸µé ¼ö ÀÖ´Â °£´ÜÇÑ °ÍÀ̾ú´Ù. ÇÏÁö¸¸ ÇÁ·Î·Î ÀÏÇϸ鼭 ÇÏÀÌ¿£µå ·¹º§ÀÇ °í¼øµµ DAC¸¦ ¸¸µé±â ½ÃÀÛÇß´Ù.

±×°¡ µ¨Å¸½Ã±×¸¶ ¹æ½Ä Ĩ¼ÂÀ» ¼±ÅÃÇÏÁö ¾Ê°í ±â¼úÀûÀ¸·Î ±¸ÇöÀÌ Èûµé°í ¸¹Àº ³ëµ¿·ÂÀÌ ÇÊ¿äÇÑ ¸ÖƼºñÆ® R2R DAC¸¦ ¸¸µé±â ½ÃÀÛÇÑ °ÍÀº °øÇÐÀû Áö½ÄÀÌ ºÎÁ·Çؼ­µµ ÇÕ¸®ÀûÀÎ »ç°í°¡ ¾ø¾î¼­µµ ¾Æ´Ï´Ù. ±×Àú ÃÖ´ëÇÑ À½ÁúÀûÀ¸·Î ¶Ù¾î³­ DAC¸¦ ¸¸µé±â À§Çؼ­¿´°í Àû¾îµµ ±×°¡ »ý°¢Çϱ⿣ ¸ÖƼºñÆ® DAC°¡ ÃÖ¼±À̶ó°í »ý°¢Ç߱⠶§¹®ÀÌ´Ù. °Å±â¿¡ ´õÇØ ¹öºê¶ó¿î PCM1704°°Àº ¹ü¿ë ¹ÝµµÃ¼ Ĩ¼Â¿¡¼­ ´õ ³ª¾Æ°¡ Á÷Á¢ µð½ºÅ©¸®Æ® ¹æ½ÄÀ¸·Î R2R ·¡´õ DACÀ» °³¹ßÇس´Ù. ÀÌ ¶ÇÇÑ ¸¹Àº ºñ¿ë°ú ³ëµ¿Áý¾àÀû ÇÁ·Î¼¼½º¸¦ ¿ä±¸ÇÏÁö¸¸ ±×ÀÇ ÀÌ»ó¿¡ ´õ °¡±îÀÌ °¥ ¼ö ÀÖ´Â °ÅÀÇ À¯ÀÏÇÑ ¹æ¹ýÀ̾ú´Ù.


7Áֳ⠱â³ä D1 Seven

¡ã Totaldac D1 Seven DAC

ÅäÅ» DAC°¡ »õ·Ó°Ô ³»³õÀº DAC ¸ðµ¨Àº D1 Seven. ±âÁ¸¿¡ ÄÚ¾î DACÀÎ D1À» ±âº» ¸ðµ¨·Î D1 MKII, D1 Tube ±×¸®°í D1 Dual µîÀÇ ¸ðµ¨¿¡¼­ ¸í¹éÈ÷ »óÀ§ ³Ñ¹ö¸¦ ´Þ°í ³ª¿Ô´Ù. ¹°·Ð ÃÖ»óÀ§ ¸ðµ¨ D1 Twelve°¡ ÀÖÀ¸³ª D1 SevenÀº ±âÁ¸ Ãâ½ÃÀÛ D1 SixÀÇ Èļӱâ´Ù. ±×¸®°í µ¿½Ã¿¡ ¹ð»ó ºê¸®¾ÓÀÇ ÅäÅ» DAC ¼³¸³ 7ÁÖ³âÀ» ÀÚÃàÇÏ°í ÀÖ´Â ¸ðµ¨ÀÌ´Ù.

D1 SevenÀÇ ±âº»ÀûÀÎ ¼³°è °³³äÀº ¿©Å¸ ¸ðµ¨°ú µ¿ÀÏÇÑ ±âÁ¶¸¦ °¡Áø´Ù. ±âº»ÀûÀ¸·Î ¸ÖƼºñÆ® R2R DAC·Î¼­ ÁýÀûȸ·Î¸¦ °¡Áø ¹ÝµµÃ¼¸¦ »ç¿ëÇÏÁö ¾Ê°í Á÷Á¢ ÀúÇ× Çϳª Çϳª¸¦ ¼±º°, Á¶ÇÕÇØ DAC º¸µå¸¦ ¸¸µé¾î³½´Ù. ±×¸®°í ÀÌ DAC º¸µå¸¦ ¸ðµ¨¿¡ µû¶ó ±× °³¼ö¸¦ ´Ù¸£°Ô Àû¿ëÇÑ´Ù. R2R DAC º¸µå¿¡ Àû¿ëµÇ´Â ÀúÇ×Àº ¸Å¿ì Áß¿äÇÏ´Ù. ÀÌ ÀúÇ×ÀÇ ¿ÀÂ÷¹üÀ§°¡ Å©°Ô µÇ¸é °í¿ª ÂÊ ÁÖÆļö ¹ÝÀÀÀÌ Çö°ÝÈ÷ ¶³¾îÁö¸ç ÀÌ´Â °ð À½ÁúÀû ÀúÇÏ·Î µå·¯³­´Ù. µû¶ó¼­ ¹ð»ó ºê¸®¾ÓÀº ¾à0.01% ¿ÀÂ÷¹üÀ§¸¦ °®´Â ºñ»þÀÌ Æ÷ÀÏ ÃÊÁ¤¹Ð ÀúÇ× 300°³¸¦ D1 Seven¿¡ »ç¿ëÇÏ°í ÀÖ´Ù.

ÅäÅ» DACÀº ¸ÖƼºñÆ® ¹æ½Ä DAC Ĩ¼ÂÀ» »ç¿ëÇϸ鼭 ¿À¹ö»ùÇøµ ¹× ÇÊÅÍ µî ÃÖ¼ÒÇÑÀÇ µðÁöÅÐ ÇÁ·Î¼¼¼­¸¸ »ç¿ëÇß´Ù. µðÁöÅ» ½ÅÈ£¸¦ ÃÖ´ëÇÑ ¾Æ³¯·Î±× ÆÄÇü¿¡ °¡±õ°Ô º¹¿øÇس»´Â °ÍÀÎ DACÀÇ ¼÷¸íÀ̶ó¸é ¹Ýµå½Ã ¿©·¯ ÇÊÅÍ¿Í ³ëÀÌÁÀÌÇÎ µîÀÇ °úÁ¤ÀÌ ¼ö¹ÝµÈ´Ù. ±×·¯³ª ¸ÖƼºñÆ® ¹æ½Ä DAC¸¦ ÁöÇâÇÏ´Â ÅäÅ» DACÀº ÃÖ´ëÇÑ ÇÊÅÍ »ç¿ëÀ» ÀÚÁ¦ÇÏ°í ¿À¹ö»ùÇøµµµ »ç¿ëÇÏÁö ¾Ê°í ÀÖ´Ù.

±×·¯³ª R2R ¹æ½Ä µð½ºÅ©¸®Æ® DAC¶ó°í Çؼ­ ÀåÁ¡¸¸ ÀÖ´Â °ÍÀº ¾Æ´Ï´Ù. ¼¼»ó ¸ðµç °ÍÀÌ ±×·¸µí ¾ò´Â °Ô ÀÖÀ¸¸é ÀÒ´Â °Íµµ ÀÖ´Ù. ´Ü, ÀÒ´Â °Íº¸´Ù ¾ò´Â °ÍÀ» ÃÖ´ëÈ­½ÃÅ°·Á ²÷ÀÓ¾øÀÌ µµÀüÇÒ »ÓÀÌ´Ù. ÀÏ´Ü D1 SevenÀº ÀÚüÀûÀÎ ¸®Å¬·°Å· ȸ·Î¸¦ °¡Áø´Ù. ÀÌ´Â FIFO ¶ó´Â ¸Þ¸ð¸® ¹öÆÛ ±â¼úÀ» Àû¿ëÇÏ°í ÀÖ´Ù. Á÷Á¢ ÅäÅ» DAC¸¦ »ç¿ëÇغ» À¯Àú´Â ¾Ë°ÚÁö¸¸ °î¿¡ µû¶ó ÃÖ¼Ò Àç»ý½Ã ¾à°£ÀÇ µô·¹ÀÌ°¡ »ý±â´Â °æ¿ì°¡ Àִµ¥ ¹Ù·Î FIFO ȸ·Î¸¦ °ÅÄ¡±â ¶§¹®ÀÌ´Ù. ¼³°è ÀÚü´Â ¾à 0ms(1/1000ÃÊ) µô·¹À̸¦ °®´Â´Ù. ¸ðµÎ Ŭ·° º¸Á¤ ¹× ÁöÅÍ Á¦°Å¸¦ À§ÇÑ µ¶ÀÚÀû ȸ·Î´Ù.

¡ã Totaldac D1 Seven DAC

ÇÑÆí R2R ¸ÖƼºñÆ® DAC´Â °í¿ª Àç»ý¿¡¼­ Å»ýÀû ÇѰ踦 °®´Â´Ù. ¸Å¿ì À½¾ÇÀûÀÎ »ç¿îµå¶ó´Â Æò°¡¸¦ ¹ÞÁö¸¸ ½Ã´ë°¡ Áö³ª¸é¼­ ÇÏÀÌ¿£µå µðÁöÅÐ ¸ÞÀÌÄ¿¿¡¼­µµ µ¨Å¸½Ã±×¸¶ Ĩ¼Â¿¡ ÀÚ¸®¸¦ ³»ÁØ ÀÌÀ¯ Áß Çϳª´Ù. °í¿ª¿¡¼­ ±Þ°ÝÇÑ dB°¨¼â¸¦ º¸ÀÌ´Â ÁÖÆļö Ư¼º º¸¿ÏÀº Àý½ÇÇÒ ¼ö¹Û¿¡ ¾ø´Ù. ÅäÅ» DAC´Â ¿ÀÁ÷ ÃÖ¼ÒÇÑÀÇ ÇÊÅ͸¦ ±¸»óÇß°í ¿ÀÁ÷ ¹®Á¦°¡ µÇ´Â °í¿ª¸¸À» º¸»óÇØÁÖ´Â FIR ÇÊÅ͸¦ °³¹ßÇØ Àû¿ëÇß´Ù. ÀÌ´Â °í¿ª ÁÖÆļö °¨¼â¸¦ ÇØ°áÇÏ°í µ¨Å¸ ½Ã±×¸¶ Ĩ¼Â¿¡ ºñÇؼ­ »ó´çÈ÷ ¾Æ³¯·Î±×ÀûÀÎ »ç¿îµå¸¦ ¸¸µé¾î³»´Âµ¥ ÀÏÁ¶ÇÏ°í ÀÖ´Ù.

D1 SevenÀº A Ŭ·¡½º ¹æ½ÄÀÇ Ç® µð½ºÅ©¸®Æ® ¹æ½Ä Ãâ·Â´ÜÀ» ¼³°èÇÏ°í ÀÖÀ¸¸ç Àü¿øºÎ´Â ºÐ¸®ÇüÀ¸·Î ¼³°èÇØ ½ÅÈ£ È帧°ú ÁõÆø µî ¿¹¹ÎÇÑ ÇÁ·Î¼¼½º¿Í °£¼·À» ¿Ïº®È÷ ÇÇÇÏ°í ÀÖ´Ù. ÇÑÆí ±âÁ¸ D1 Six¿¡ ºñÇϸé Á» ´õ ³ô¾ÆÁø Ãâ·Â Àü¾ÐÀ» º¸ÀÌ°í ÀÖÀ¸¸ç º¼·ý ÄÁÆ®·ÑÀÌ °¡´ÉÇÏ´Ù. ¸¶Ä¡ Àå³­°¨°°Àº Çöó½ºÆ½ ¸®¸ðÄÁÀÌÁö¸¸ º¼·ý Á¶Á¤ÀÌ °¡´ÉÇϹǷΠÆÄ¿ö¾ÚÇÁ³ª ¾×Ƽºê ½ºÇÇÄ¿¿Í Á÷°áµµ °¡´ÉÇÏ´Ù.

ÀÔ·ÂÀº µ¿Ãà, ±¤, AES/EBU ±×¸®°í Xmos Æ®·£½Ã¹ö¸¦ »ç¿ëÇÑ USB ÀԷ´ÜÀÌ ¸¶·ÃµÇ¾î ÀÖÀ¸¸ç PCMÀÇ °æ¿ì ÃÖ´ë 24bit/192kHz ±îÁö Àç»ý °¡´ÉÇϸç DSD ´ëÀÀ¿¡ ´ëÇؼ­´Â ¿É¼ÇÀ¸·Î ¸¶·ÃÇسõ°í ÀÖ´Ù. ¾Æ¸¶µµ ¹ð»ó ºê¸®¾ÓÀº DSD Àç»ý¿¡ ´ëÇØ ±×´ÙÁö ¿ìÈ£ÀûÀÎ ÀÔÀåÀº ¾Æ´Ñ µíÇÏ´Ù.


¼Â¾÷ & ¸®½º´× Å×½ºÆ®

Æ÷Ä® Sopra No.3 ½ºÇÇÄ¿, ÄÚµå CPM 3350 ÀÎƼ¾ÚÇÁ ±×¸®°í ¿À·»´õ W20 ¹ÂÁ÷¼­¹ö°¡ ÅäÅ» D1 Seven Å×½ºÆ®¸¦ À§ÇØ µ¿¿øµÇ¾ú´Ù. ÄÉÀ̺íÀº ¾Æ³¯¸®½Ã½º Ç÷¯½º À§ÁÖ·Î ¼¼ÆÃÇßÀ¸¸ç W20°ú ÅäÅ» D1 Seven DAC´Â ÅäÅ» DAC¿¡¼­ Ãâ½ÃÇÑ USB ÄÉÀ̺íÀ» »ç¿ëÇß´Ù.

  • ¾Ø ºñ¼ÛÀÇ ¡®September in Montreal¡¯

    D1 Seven Àº À̹øÀÌ Ã³À½ÀÌÁö¸¸ ±× Àü¿¡ D1 Six¸¦ Å×½ºÆ®Çغ» ¹Ù¿¡ ÀÇÇϸé D1 SevenÀº È®½ÇÈ÷ Àüü ¹ë·±½º°¡ ³·¾ÆÁ³°í ÁßÀú¿ª ÂÊÀ¸·Î ¿¡³ÊÁö°¡ °­È­µÇ¾ú´Ù. µû¶ó¼­ Á» ´õ À°ÁßÇÏ°í ÀåÁßÇÑ »ç¿îµå Ư»öÀ» °®´Â´Ù. ¾Ø ºñ¼ÛÀÇ ¡®September in Montreal¡¯À» µé¾îº¸¸é ±âº»ÀûÀ¸·Î ´ë¿ª ¹ë·±½º ÀÚü´Â »ó´çÈ÷ ÀÚ¿¬½º·¯¿ö Â÷ºÐÇÏ°í ±ÕÇü°¨ ³ÑÄ¡´Â ¼Ò¸®´Ù. À½»óÀº ¸éµµ³¯Ã³·³ ³¯Ä«·Ó°Ô ±×·Á³»´Â ¼º°ÝÀÌ ¾Æ´Ï´Ù. ¹Ý´ë·Î À½»ó ÁÖº¯¿¡ µÕ±×·¸°í ±×¶óµ¥À̼ÇÀÌ ³Ð°Ô ºÐÆ÷µÇ¾î Ÿ¿À¸£´Â ÃкÒó·³ °ö°Ô ÀÏ··ÀδÙ.

  • Gil Shaham / Goran Sollscher 'Schubert Serenade'

    Áß¿ª´ë ¿Â±â¿Í Ç¥¸é Áú°¨Àº ¸¶Ä¡ °ú°Å ¸Þ¸®µð¾È 500½Ã¸®Áî ¶Ç´Â Ä³ÇÇÅç·¹ °°Àº ½ÃµðÇÇÀÇ ±×°ÍÀ» ¼¯¾î³õÀº µíÇÏ´Ù. ´Ù½Ã ¸»ÇØ Ç³ºÎÇÑ Çϸð´Ð½º¿Í °í¿î ÀÔÀÚ ±×¸®°í ¸»¶û¸»¶ûÇÑ ¹°¸®Àû ÃË°¨ÀÌ À½¾ÇÀ» À¯±âÀûÀ¸·Î ÀÚ¿¬½º·´°Ô ºÐÃâÇÑ´Ù. ±æ »þÇÔ°ú ¿Ü¶õ ¼ê¼ÅÀÇ ½´º£¸£Æ® ¼¼·¹³ªµ¥¸¦ µé¾îº¸¸é ÃÖ±Ù µé¾îº» ±× ¾î¶² R2R DACº¸´Ùµµ ´õ ÀÜÀÜÇϸç Ǫ±ÙÇÑ ¼Ò¸´°áÀ» °¡Áö°í ÀÖ´Ù. Ä«Æ®¸®Áö·Î Ä¡ÀÚ¸é ¹Ýµ§Çæ °°Àº ±Ø´ÜÀÇ ÇØ»ó·Âº¸´Ù´Â °í¿¡Ã÷ °°Àº ½ºÅ¸ÀÏ¿¡ ºñÀ¯ÇÒ ¼ö ÀÖ´Ù.

  • Rage Against The Machine 'Take The Power Back'

    ·¹ÀÌÁö ¾î°Õ½ºÆ® ´õ ¸Ó½ÅÀÇ ¡®Take the power back¡¯°°Àº ÇϵåÄÚ¾î °î¿¡¼­´Â ¼Óµµ°¨À̳ª ¸®µë, ŸÀÌ¹Ö & ÆäÀ̽º µî Ư¼ºÀ» ÁýÁßÀûÀ¸·Î »ìÆ캼 ¼ö ÀÖ´Ù. ½ºÇǵå´Â ¾à°£ ´À¸° µíÇÑ ´À³¦À» ÁØ´Ù. D1 Six¿¡ ºñÇØ Àú¿ªÀ¸·Î ¹ë·±½º°¡ À̵¿Çϸ鼭 Á» ´õ À°ÁßÇÑ ´À³¦À» Áָ鼭 ÀϾ º¯È­µéÀÌ´Ù. ³¯·ÆÇÏ°Ô °ø°ÝÀûÀ¸·Î ³ª¼­´Â ¼ºÇâÀÌ ¾Æ´Ï¶ó ´À±ßÇÏ°í Â÷ºÐÇÏ°Ô ¹°·¯³ªÀÖÁö¸¸ ¹¬Á÷ÇÑ ÈûÀÌ ¿¬Å¸¸¦ ³¯¸± ¶© ´õ ±íÀº ¿ï¸²À» ¸¸µé¾î³½´Ù. ´õºÒ¾î ÀÏ·ºÆ®¸¯ º£À̽ºÀÇ ÆãÅ°ÇÑ ¸®µë°¨ÀÌ °îÀ» À̲ø¸ç ¸¶Ä¡ Èû ÀÖ°Ô ¿òÄÑÁå µíÇÑ ±×¸³°¨ µî ¸»¾¦ÇÑ º£À̽º »ç¿îµå°¡ µ¸º¸ÀδÙ.

  • Andris Nelsons 'Boston Symphony Orchestra No.5'

    ¾Èµå¸®½º ³Ú½¼½º¿Í º¸½ºÅÏ ½ÉÆ÷´Ï ¿ÀÄɽºÆ®¶óÀÇ ¼î½ºÅ¸ÄÚºñÄ¡ 5¹ø ±³Çâ°î¿¡¼­´Â ¾îÅðú µðÄÉÀÌ°¡ ¿Ï¸¸ÇÏ°Ô ¿Ã¶ó°¡´Ù°¡ ¼­½ºÅ×ÀÎÀÌ ±æ°Ô Ç¥ÇöµÈ´Ù. ÀÌ·± ¿£º§·ÎÇÁ Ư¼º ´öºÐ¿¡ ¿ªµ¿ÀûÀÎ ¿òÁ÷ÀÓº¸´Ù´Â Æ÷±ÙÇÏ°í ÁøÇÑ ¹Ðµµ°¨ µî À½»ö Ç¥Çö¿¡ ÀåÁ¡ÀÌ ´õ ¸¹´Ù. ¹°·Ð Àú¿ªÀÇ ½½·¥ÇÑ Ç¥Çö·ÂÀº ÆÀÆÄ´ÏÀÇ °­Å¸ ¼Ó¿¡¼­ ¿©ÀüÈ÷ ºû³­´Ù. ÄÚµå °°Àº DAC°¡ ¾ÆÅ¥Åæ Æ®À§ÅͶó¸é ÅäÅ» DAC´Â ½ºÄµ½ºÇÈ °è¿­ ¼ÒÇÁÆ® µ¼À» ¶°¿Ã¸®´Â Àç»ýÀ½ÀÌ´Ù.

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ÅäÅ» DACÀÇ ¹ð»ó ºê¸®¾ÓÀÌ ²Þ²Ù´Â ¼Ò¸®´Â µðÁöÅÐÀÇ ±×°Í°ú ÃÖ´ëÇÑ ¸Ö¾îÁ® Àΰ£ÀûÀ̸ç ÀÚ¿¬ÀûÀÎ °Í°ú °¡±îÀÌ °¡°í ÀÖ´Ù. ¾î¶² ¾ç³äµµ °¡¹ÌÇÏÁö ¾ÊÀº ´ã¹éÇÔ°ú ¸ñ°¡Àû ´µ¾Ó½º°¡ µðÀÚÀÎ ¹× À½Áú ¸ðµç °÷¿¡¼­ ÀÚ¿¬½º·´°Ô ¿ì·¯³ª¿Â´Ù. ±â°è°¡ ±â°èÀûÀÎ ´À³¦À» °®Áö ¾Ê´Â´Ù¸é ¾ÆÀÌ·¯´ÏÁö¸¸ ¸¸ÀÏ ÀÚ½ÅÀÇ ¿Àµð¿À°¡ ³»´Â ¼Ò¸®¿¡ ±â°èÀûÀÎ ´À³¦ÀÌ ¸¹ÀÌ ¹è¾îÀÖ´Ù¸é ÅäÅ» D Seven DAC´Â ±×°ÍÀ» Á¦°ÅÇÏ°í À½¾ÇÀû ÄÚÈ÷¾î·±½º·Î ä¿öÁÙ °ÍÀÌ´Ù. ¼ø¼ö¿Í ³¶¸¸ÀÇ µðÁöÅÐ, ¿ª¼³ÀûÀÌÁö¸¸ ÅäÅ» DAC¿¡¼± °¡´ÉÇÏ´Ù.

S P E C

192KHz asynchronous Xmos USB optical, RCA and AES-EBU digital inputs, selected from a remote control
44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz and 192KHz 16 to 24 bit formats supported
as an option DSD (DoP standard) supported on all inputs
embedded custom clock with anti-jitter FIFO memory
3.2Vrms max RCA, 6.4Vrms max XLR analog output The d1-seven has no headphone output by default
volume control, adjusted by a remote control and an OLED display, works for all inputs, not only USB phase polarity selected by remote control
non-oversampling DAC compensation filter activated or disactivated by remote control
display switched off by remote control or automatic
R2R DAC technology using 300 pieces of 0.01% VAR Bulk Metal¢ç Foil resistors Vishay Foil Resistors
class A discrete transistor output stage
external power supply to minimize the noise on the embedded preamp
aluminium and PMMA enclosure with massive pure copper antivibration plate
power consumption 20W (24W with the server option)
DAC dimensions height 110mm, width 360mm, depth 290mm
power supply dimensions height 65mm, width 122mm, depth 180mm
weight 7kg
¼öÀÔ¿ø ž¿Àµð¿À (070-7767-7021)
°¡°Ý 3200¸¸¿ø

d1-seven DAC or DAC/server Totaldac d1-single front

The d1-seven DAC has been created for the seven-year anniversary of Totaldac.
It was made to be the far best sounding one-box DAC in the Totaldac range, using the same number of R2R ladders as the d1-six, but with advancements in the analog architecture, the EMC, the firmware and more.
This DAC can also integrate the internal server/streamer option for a direct network use.
And don't forget, your d1 as every d1 DACs can be upgraded to a d1-seven!

Totaldac d1-dual front

-192KHz asynchronous Xmos USB, optical, RCA and AES-EBU digital inputs, selected from a remote control.
-44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz and 192KHz, 16 to 24 bit formats supported.
-as an option, DSD (DoP standard) supported on all inputs.
-embedded custom clock with anti-jitter FIFO memory.
-3.2Vrms max RCA, 6.4Vrms max XLR analog output. The d1-seven has no headphone output by default.
-volume control, adjusted by a remote control and an OLED display, works for all inputs, not only USB.
-phase polarity selected by remote control.
-non-oversampling DAC compensation filter activated or disactivated by remote control.
-display switched off by remote control or automatic.
-R2R DAC technology using 300 pieces of 0.01% VAR Bulk Metal� Foil resistors Vishay Foil Resistors.
-class A discrete transistor output stage.
-external power supply to minimize the noise on the embedded preamp.
-aluminium and PMMA enclosure with massive pure copper antivibration plate.
-power consumption 20W (24W with the server option).
-DAC dimensions: height 110mm, width 360mm, depth 290mm.
-power supply dimensions: height 65mm, width 122mm, depth 180mm.
-weight: 7kg.

Available options:
-server/streamer option. The software is the same as the d1-server, RoonReady certified.
-DSD (DoP) option.
-silver massive aluminium front panel.
-115V power option.
-BNC coaxial digital input instead of RCA.
-2, 3, 4 way active crossover or more, by associating several DAC boxes.
-Bass boost.
-dedicated power supply for server board.

prices

Silver option:

Totaldac d1-dual silver

The new remote control supplied with all d1-seven DACs:

Totaldac d1 remote controlTOTALDAC D-1 SEVEN DAC REVIEW PART ONE


Sonic panache! A champagne for the aural senses? More digital fun and future proofing momentum!? Heck yeah! Yes, the Totaldac-d1 Seven has quickly arrived from Vincent Brient, after sending my d1-Six for the upgrade. First of all, the Totaldac-d1 Seven marks the 7th anniversary of the Totaldac existence. This is quite a jubilee for any high-end audio company in this fast forward world and Vincent Brient has managed to leave quite an impact on the digital audio segment of the high-end industry with his ever-evolving digital products over the years.  

Out in the hectic mechanics of our beloved industry, you'll always have companies, that rely on one product glory and will try to milk the cow to the very end. On the other side, there are the manufacturers that are constantly striving for better performance of their proud creations. Without a doubt, Vincent falls into this latter camp, where usually, 24/7 mindset operating comes as mandatory. Like with many great audio designers, mouvement perpétue happens in the universe of electrons, where the exploring the new ways takes place with the clear goal and quest of bringing music closer to the audiophiles and music lovers. 


I've been always advocating Totaldac's value and its important place in the upper echelon of the digital audio plane for many of the already mentioned reasons. This is also why I'm sticking with d-1 series DAC, as I've felt, that Vincent is keeping more than just a valuable place within a digital segment of high-end audio with his continuous endeavors and most importantly sonic virtues.     

THE SONIC UPGRADE


I've had a luxury of spending countless hours of playback on my original Totaldac-d1 Six, so any differences between d1 Six and d1 Seven were expected to be deciphered quickly... 

And they were... As usual, I've couldn't keep my enthusiasm bottled and jump straight into the initial listenings. I've left  d-1 Seven running from early morning and about ten hours later jumped into in-depth listening. Here are few of the very first impressions, that will be followed up with more complete sum up in due time...

So, after running Totaldac d-1 Seven for a whole day and late into the morning hours, what's the first verdict?

Most importantly, this is not a subtle update and upgrade by any means. Vincent wanted to create something substantial and valuable for the 7th anniversary and it the differences are evident from the very first few notes played. 


You'll have to bear with me as I'm writing this after only a few hours of sleep, but the prolonged early morning hours listening was more than just rewarding. Totaldac d-1 Seven had locked me into a relaxed sonic projecting, that brings a grander portion of spot-on contour to the tone, bigger dynamic impact and more expanded sense of space and atmosphere. 

Especially with familiar classical music tracks, d-1 Seven managed to project more vivid spatial distinctions, materializing instruments and performers with much more believable three-dimensional objectivity.

d-1 Six had already operated with a non-opaque nature, but d-1 Seven removes few more layers of a so-called sonic blur. Like with photography, this results in more focused imaging, more believable atmosphere and sense of performers being real persons. 

Totaldac d-1 Six was already a mighty performer, but the d-1 Seven delivers refreshing transparency and more dense presentation, that is closer to the intimacy of the real world interaction.  

It feels how d-1 Seven is benefiting from some of the very core attributes of the of Totaldac's flagship d1-twelve. Somehow Vincent managed to trickle some of that technology into the new the d1-seven with the most positive result. 

Totaldac d-1 Seven clearly continues and builds upon the legacy of d1-six strong musical leitmotif. d-1 Seven is without a doubt a premium, high-performance one box reference DAC, that cannot be overlooked by any means in the current stream of digital audio progression!


Along with d-1 Seven, Vincent had also sent me the new USB-Gigafilter. I'll not go into detailed elaboration, but once in the system, the absence creates an instant hankering of plugging it back... And not to forget, there is also new remote control supplied with all d1-seven DAC, shown in the photos attached. 

Stay tuned for more...

Matej Isak

 
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